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How streaming services make cinema more important: Lessons from Norway

Gaustad, Terje
Peer reviewed, Journal article
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Nordic_Journal_of_Media_Gaustad.pdf (505.9Kb)
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http://hdl.handle.net/11250/2628121
Issue date
2019
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Original version
Nordic Journal of Media Studies. 2019, 1 (1), 67-84.   10.2478/njms-2019-0005
Abstract
The technocultural disruption triggered by digitization has radically changed the way in which we consume films outside cinemas and transformed content providers’ business models. In Norway, between 2010 and 2016, DVD/Bluray and subscription-based streaming services switched places as major and minor platforms for home video consumption. Hence, home video consumption has migrated from a high-yielding platform at the head of the home video release cycle to a low-yielding platform at the tail end, where films also face tougher competition from drama series and international content tends to surpass local content. A case study of the earnings generated by local films released by a major distributor in this period suggests that home video revenues have diminished, making local films much more dependent on theatrical revenues and vulnerable to changes in cinema-going behavior.
 
How streaming services make cinema more important: Lessons from Norway
 
Journal
Nordic Journal of Media Studies

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